perform ; very four in the evening
Paraphrasing the textual annotation "very nine in the morning" in Satie's 'Veritables Preludes Flasques' which opens the program, VERY FOUR IN THE EVENING explores the different directions that 20th century music took in the West.
Paraphrasing the textual annotation "very nine in the morning" in Satie's 'Veritables Preludes Flasques' which opens the program, VERY FOUR IN THE EVENING explores the different directions that 20th century music took in the West.
I. Impressions & Tonality
Satie, Veritables Preludes Flasques (pour un chien)
Satie, Sonneries De La Rose + Croix (Air Du Grand Prieus)
Poulenc, Nocturne no. 1
II. Neo-Formalism
Tippett, Sonata no. 1, second movement
Webern, Piano Piece
III. Neo-Classicism
Skryabin, Preludes; op.13 no.3, op.11 no.9, op.16 no.4
Shostakovich, Prelude& Fugues no. 24
IV. Neo-Nationalism
Janacek, On an Overgrown Path, No.s 4, 5
Ligetti, Musica Ricercata, no.s IV-VII
Falla, Andaluza from Pieces Espagnoles
V. Neo-Romanticism
Cowell, The Tides of Manaunan
Ravel, Le jardin feerique
winter 2004
Stephen Chen, Piano